"The Convoy Has Arrived", Indian ink, pen, paper, 23*41.5 cm
"The Normad Camp", Indian ink, pen, paper,, 20*29.5 cm
The triptych "The Geologists", part 3, copper-plate engraving, 44.5*61 cm
The triptych "Hunger", part 1, copper-plate engraving, 44,5x61 ñm.
The triptych, part 2, copper-plate engraving, 44,5x61 ñm.
"Silence", copper-plate engraving, 29x37 ñm.
"The Boy with the Fish", copper-plate engraving, 31x31 ñm.
"The Old Reindeer-Breeder", copper-plate engraving, 31x36 ñm.
"The Watering Place", copper-plate engraving, 22x24 ñm.
"On the Bank of the Lake Essey", copper-plate engraving, 14x46 ñm.
"The Fisherwoman", copper-plate engraving, 26,5x28,5 ñm.
"Donaya", copper-plate engraving, 12x20 ñì.
"The Mother and the Baby", copper-plate engraving, 14x19 ñm.
"The Mother and the Baby", copper-plate engraving, 14x19 ñm.
The portrait of V.N.Uvachan
"The Dance of the Shaman", copper-plate engraving
"The Airplane Has Arrived", copper-plate engraving
"The Crossing", copper-plate engraving
"The Deer Hoof", copper-plate engraving
The portrait of reindeer-breeder A.V.Mukto
"The Reindeer", copper-plate engraving, 37,5õ60 ñm.
"The Two", copper-plate engraving, 34õ60 ñm.
"The Thought", copper-plate engraving, 45,5õ69,5 ñm.
"The Hunt", copper-plate engraving, 43,5õ68 ñm.
"My Pet", copper-plate engraving, 45,5õ57 ñm.
"By the Last Bonfire", copper-plate engraving, 29õ32 ñm.
"Maternity", copper-plate engraving, 32õ33 ñm.
"The Song about Love", copper-plate engraving
"The Spring Song", copper-plate engraving
"The Girl", copper-plate engraving
"The Fishermen", copper-plate engraving
"By the Telly", copper-plate engraving
"Bajkit", canvas, oil
oil
oil
oil
"The Evenk Madonna", Whatman paper, Indian ink, pen
The triptych "The Young Reindeer-Breeders", the right part, Whatman paper, Indian ink, pen
The triptych "The Young Reindeer-Breeders", the central part, Whatman paper, Indian ink, pen
The triptych "The Young Reindeer-Breeders", the left part, Whatman paper, Indian ink, pen
The portrait of doctor L.A.Simonov, Whatman paper, Indian ink, pen
"Nature Morte", the translation from French is "Dead Nature", Whatman paper, Indian ink, pen
The illustration to the tale "The Fisherman and the Goldfish" by A.S.Pushkin, Whatman paper, Indian ink, pen
The illustration to the tale "The Fisherman and the Goldfish" by A.S.Pushkin, Whatman paper, Indian ink, pen
The illustration to the tale "The Fisherman and the Goldfish" by A.S.Pushkin, Whatman paper, Indian ink, pen
The illustration to the tale "The Fisherman and the Goldfish" by A.S.Pushkin, Whatman paper, Indian ink, pen
The sketches of costumes for the play "Altaney"
The sketches of costumes for the play "Altaney"
The sketches of costumes for the play "Altaney"
"The Girl in a Sailor's Jacket", pencil, Whatman paper
"The Portrait", pencil, Whatman paper
"Heglen", copper-plate engraving, 8õ18 ñì.
Heglen was a personification of the Great Bear in myths of Tungus-Manchurian nations. In most variants it is described as a gigantic elk who stole the Sun. This is the explanation of alternation of day and night.
"Togo", copper-plate engraving, 8õ18 ñì.
Evenks and Musuns imagined it in the aspect of an old woman. The spirit showed up to people only from fire, Togo was considered to be the principal sacred object in any house. It possessed enough power to change malicious spirits, it contributed to happiness, notified about future events (by cracking of firewood, flashes of flames, flight of sparks). The worship of Togo expressed in numerous bans, one couldn't throw sharp articles or spit into fire not to hurt or offend the spirits.
"Agdy", copper-plate engraving, 8õ18 ñm.
Agdy was the master of thunder and lightning in Evenk myths. Evenks thought Agdy to be a little dancing man with a bear head and eagle wings. Its flight caused thunder and flashing of eyes - lightning. Agdy was included into the number of shamans' assisting spirits. According to the popular belief shamans could send Agdy on a strange kin. This is how Evenks explained Tungus meteorite phenomenon.
"Mugdy", copper-plate engraving, 8õ17 ñm.
Mugdy personified the sole of a dead person, it was the spirit of ancestors. Evenks believed that Mugdy could protect them from malicious spirits of black shamans and evil inhabitants of the lower world, that it could prevent diseases. Mugdy was depicted in the semblance of posts with human faces which were put on tombs of shamans and twins.
"Kalu", copper-plate engraving, 8õ17 ñm.
Kalu was a spirit that was consiered to be the master of mountains, rocks and rivers. In the views of all Tungus-Manchurians it was a giant with a pointed head, long-clawed hands and hoofed legs. When Kalu came down from mountains it would kidnap people punishing them in such way for negligent attitude to the gifts of forest.
"The Mains", copper-plate engraving 7,5õ18 ñm.
Main was one of the spirit-masters of the upper world. It patronized people's prosperity. That was the supreme deity and it held soles of all people, animals, birds, trees with special threads. If because of some reason the thread broke the parson became ailing and died, the tree went dry, the animl perished.
The triptyuch "The Reiondeer Team", painting, oil
The triptyuch "The Reiondeer Team", painting, oil
"The Stand", oil
"The Stand", oil
"Autumn in Chirinda", oil
"Autumn in Chirinda", oil
"Autumn in Chirinda", oil
"Autumn in Chirinda", oil